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THE BLACK MUSEUM
Opening in 1875, the Crime Museum at Scotland Yard is the oldest museum in the world purely for recording crime. The name "Black Museum" was coined in 1877 by a reporter from "The Observer", a London newspaper, although the museum is still referred to as the Crime Museum. It is this museum that inspired The Black Museum radio series, produced in London by Harry Alan Towers.
From Jay Hickerson's "The Ultimate History of Network Radio Programming and Guide To All Circulating Shows", the earliest US broadcast date was January 1, 1952. Thirty nine shows, from the full syndication of fifty two shows, aired over Mutual stations from January 1, 1952 through June 24, 1952 and September 30, 1952 through December 30, 1952.
This may be the earliest broadcast of the series worldwide. It was later broadcast over Radio Luxembourg starting May 7, 1953. Radio Luxembourg broadcast sponsored programs at night to England (the BBC was state-owned and had no commercials). The shows were sponsored by Dreft and Mirro (cleaning products).
The series continued to be offered in syndication and was heard on AFRTS broadcasts and in the US on NPR stations through the 1960's, 70's and 80's. Some shows were broadcast by the BBC in England in 1994.
This murder mystery series was based on true life cases from Scotland Yard's files. Each episode was based on an item or items of evidence in the museum.
Orsen Welles hosted and narrated the shows. Mr. Welles opened each show slightly differently but followed a standard format. For example, the show, "The Bathtub", open as follows:
"This is Orson Welles speaking from London." (Big Ben starts himing in the background). "The Black Museum, repository of death... Here, in this grim stone structure on the Thames which houses Scotland Yard, is a warehouse of homocide, where everyday objects, a piece of wire, a chemist's flask, a silver shilling, all are touched by murder." (dramatic music)
Following the opening, Mr. Welles would introduce the museum's item or items of evidence that was central to the case, leading into the dramatization. He also provided narration during the show and ended each show with his characteristic closing from the days of his Mercury Theater of the Air, remaining "obediently yours".
Harry Alan Towers produced the series from scripts written by Ira Marion. Music was composed and conducted by Sidney Torch.
The museum was not open to the general public. It's purpose was then, and still is, for police training, although it did receive a considerable number of famous people, including Sir Arthur Conan Doyle. It is currently used as a lecture theater for the police and like bodies in various subjects of Criminology. But, thanks to Mr. Towers and Mr. Welles, we can still get a glimpse of what secrets are housed in The Black Museum.
OTRR Certification Information:
Series Name: The Black Museum
Certification Status: OTRR Certified Accurate
Certification Date: March 10, 2005
Certification Version: Version 2
Number of CDs: 1
From the Old Time Radio Researcher's Group. See "Note" Section below for more information on the OTRR.
Creative Commons license: Attribution-NonCommercial-NoDerivs
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Subject: Black Museum was Produced in Sydney Australia not London
Black Museum was produced in Sydney by Creswick Jenkinson on behalf of Towers of London. It had a top line Australian cast including Joe McCormick and transplanted U.S. actor Harp McGuire. It was deliberately produced for sale to the U.S. Orson Welles introductions were recorded on tape in London and flown to Australia to be added to the locally recorded performances.
This was the first series to be produced in Australia in this way. Harry Towers had visited Australia in the late 1940's and set up production facilities in Sydney. He also used a lot of Australian actors in his London productions and distributed Australian produced shows like The Sundowners in England.
Subject: I Tried-
..to like these, i have been listening to them over the past few months and i just haven't been able to find a truly creepy, interesting one out of the bunch. I am a fan of Orson Welles, especially his radio work, but these just strike me as tepid. I like "Whitehall 12 12" much more, though those can also be somewhat hit or miss. Wish Orson did more than narrate....
I don't necessarily disagree that the shows aren't creepy in the way some other shows are, but these aren't fictional tales designed for that purpose. They are, however, creepy as hell when you look at them from the perspective of actual events.
Plus, anything with Welles is a must listen.
Subject: Great Shows, Welles not paid?
These are wonderful programs. When broadcast on the radio they were riveting. Welles made a trip to Boston in the mid-1970's for "An Evening with Orson Welles" at Symphony Hall. In the event, snow was falling, Welles was late, and when he came onstage said he had nothing prepared. He asked for questions. Someone brought up the Black Museum shows and he said, "Ah, yes...I believe I am still waiting to be paid for those programs!"
jerry r. -
Subject: The Black Museum
Orsen Wells carries this series excellantly. A must for all Well's fans. I rated it a five stars and a must for OTR Fans to download and listen.